Mono Printing

A mono print is a form of a contact print like a pencil drawing which is contact between the pencil and paper. It is the contact between paper and ink.

To create a mono print you first place a "poo" of ink on a flat surface; I used a water based ink which will wash out if it was to spill onto clothing then it would easily be cleaned. Using a roller spread the ink across the surface to make a thin layer. Place a piece of paper on top of the ink an then the image on top of the paper and using a pencil draw over the edges which will press against the ink creating the image on the paper.

This is the first attempt at mono printing, it is somewhat successful with basic outlines and indication of areas that would be coloured if coloured if different coloured ink was available.

Here I have used the image that I used on the previous mono print and I used the left over ink to create a background, glasses and other dark areas. This was really difficult, I struggled a lot to get the ink accurately and precisely in the right areas so I would not recommend this method.

I have tried to do it again with more ink which has compromised the quality/clean edge of the actual drawing so I don't think that I will do it again.

In order to take advantage of the amount of ink that was on the surface I simply put another piece of paper over the area and used the roller which picked up the areas with more ink.

Again I have used too much ink and the lines have come out way too thick even though I was using a freshly sharpened pencil so that this would not happen.

This is the ghost print of the previous image showing that the lines are thinner and looks a lot better than the other one.
I am going to keep attempting to make a good print.

 I still feel that this image is to patchy and too much ink is being used. Maybe I lent on the paper during the print.

In this print I have used the pencil very lightly in the lower areas to create shadow on the models body, I did the same for his hair. On the left the lines are very thin and precise which is what I would like to achieve, however in other areas like the models collar the lines are very thick. This shows variation in pressures as I am drawing so I will have to work on that.

This is exactly what I have been trying to achieve. Thin lines with shadow and fairly accurate to the original image. I would also like to try using colour. Maybe I could use several copies of the original image as stencils in order to separate areas and still be able to see the details of the image.

Using the stencils, rollers and inks I was able to place colour on this image whilst still being able to see the details of the image. I dislike how rough the edges are on the face; which I think was caused by the smooth rollers and small amount of space to work with. I think that I would have had to use a lot of ink in order to fill the face fully however that would obscure the facial features.

Seeing this I think that I might be attempting this in the wrong way. I love the colours and how rough it looks however I feel that it is not good enough. I might have to learn how to screen print instead which is more like Andy Warhol's style creating the Marilyn Monroe images.

Coloured Fabric

Since as I am going to colour specific areas of my images maybe I could try using fabric over areas of the models faces to add colour to black and white images.

This is my first attempt at using fabric. I cut out the shape I wanted from the fabric and used double sided tape to stick it to the picture. I feel that the fabric looks very messy with the sides fraying. Also the fabric sticks to the paper as soon as it touches the paper and would rip it off if I had attempted to remove it, meaning that I had to get it right the first time. This turns out to be really difficult. What if I use a Stanley or craft knife to cut into the image to make the shape I need. This means it will be more like a stencil with the fabric behind the image.

For my second attempt I have very quickly cut out the models hat and shaped some glasses on to him. using the method previously mentioned I feel that it is a lot more effective. I am going to spend a little more time on the next one so that the edges are smoother and more accurate.

This one is a lot more accurate however due to the hair fraying at the ends, I found it quite hard to cut exactly to the edge. The bright colours and the positioning of the lines to the fringe and ear of the model gives the image more shape and lines to follow through the image. 

I found some silver fabric that was reflective so I decided to take influence from Back to the Future to create some futuristic glasses. The cutting of the paper was very accurate and I followed the edges of the hair, cutting into it when it was appropriate. However the pencil marks I used to make the shape are still visible which I may need to fix.

I find this style very restrictive to what can be achieved; unless a specific goal was in mind and the colour required was accessible I would not use this method. However this is the basic idea of what I would like to do with my prints, I would like to add colour to specific areas but I would like the image to still be visible.

Luke Waller

Waller is a commercial illustrator in the editorial sector. Most of the time he works with pencil drawings and mono printing to put colour in his images however he will often use Photoshop if the deadline is very short and create a similar effect he would have using the physical method.

This illustration was commissioned by Highlife Magazine for the interview with Paloma Faith. The characters in the background are characters from the Wes's films. This is because during the interview she states that they were a massive influence to her work and sometimes inherit their personalities during her work. To me this image looks like it was made physically because of the very rough nature of the colour against the lines. This would match Wallers style of using monoprinting. A large variety of colours have been used, mostly cold colours like blues and greens; however a dark orange has been used which is a signature colour of Paloma's hair. This colour has then been used in other areas which enhances the importance it has to her character. I really love how the colours are so rough and raw compared to the detail that has been put into the portraits.There is also what looks like paint drippings along the bottom and left of the image which might have simply been done with a dropper and ink; this adds to how raw the image looks. I would like to learn how to use this style so that I can incorporate it into my own work.

This image is called the American dream and Waller states that it is all about how it has changed over time now that technology is so much more accessible. It also shows how we often see families on TV and social networks which has influenced how we behave and what we expect from a family. The blue tones on the flag and the family shows how cold and boring the dream has become. However the bright orange and yellows from the TV is covering up how boring it really is by making it look positive. The warm colours would make the viewer feel good about what they are watching which actually should all be a shade of blue. The warm colours is then transferred across to the family which is visible. This shows how influenced they are, it's a little like they are brainwashed.